Producer Mixer
Los Angeles, CA
ZEEK SOUND ©

ZEEK

Records that work everywhere. A stadium, a theater, and a pair of AirPods.

Buy

Eight rooms,
one standard.

  1. ColdplayFIFA World Cup 2026 HalftimeCo-producer
  2. DESI TRILL, DJ Khaled, Cardi BHigher LoveCo-producer
  3. TylaEverything Goes With BlueCo-producer
  4. DashaVegasProducer
  5. Arijit SinghTu Mila To HainaProducer
  6. Armaan MalikSun MaahiProducer
  7. Arijit SinghSubah SubahProducer
  8. Amaal MallikTu Mera NahiProducer
  9. Yash Narvekar, AKASAFeel The VibeProducer
  10. Natania, SubhiGulzarProducer
  11. A R I Z O N ADie For A NightProducer

Selected work

The credits
do the selling.

01 Coldplay FIFA World Cup 2026 Halftime Show Co-producer With Stargate. Curated by Global Citizen. World Cup Final, New Jersey.
02 Tyla Everything Goes With Blue Co-producer · Songwriter The Smurfs Movie soundtrack, Paramount.
03 DJ Khaled, Cardi B, Natania & Subhi Higher Love Co-producer The Smurfs Movie soundtrack, Roc Nation Distribution. Kids’ Choice Award nominated.
04 Arijit Singh · Armaan Malik Production · Writing Plus Akasa Singh and Nikhita Gandhi a decade of Indian pop with some of the biggest vocalists in the world.
05 Tu Mera Nahi · Feel The Vibe Producer Platinum. #1 on the iTunes India pop chart. 100M+ streams via T-Series.
06 Film M.S. Dhoni · Kabir Singh · Badla · Golmaal 3 · Saina Placements Plus brand work for Vodafone, Colgate and Future Generali.
07 Sony Music Publishing Registered writer Warner Music Group · Universal Music India · T-Series · Paramount Pictures.
100M+
Streams / T-Series
#1
iTunes India Pop
PLAT.
Certified singles
02
Paramount cuts

The lane

I work in
two worlds.

Most producers pick one. I came up making Indian pop Arijit Singh, Armaan Malik, T-Seriesand ended up co-producing a World Cup halftime showand two cuts on a Paramount soundtrack.

Sitar and tabla sit in the same session as an 808. That crossover isn’t a gimmick I picked up it’s the room I actually grew up in, and it’s why my records travel.

Listen

Songs I produced.

ZEEK SOUND Hold
01 Vegas ■
Compact Disc · Digital Audio
Songs I Produced

Hire

Send a song
that’s 80% there.

I know what a record has to survive to get released A&R notes, music supervisors, mastering, broadcast. So I don’t hand back a cool-sounding mix. I hand back a finished, deliverable record.

Mixing$800 / song Mix, clean edit, instrumental, TV mix, stems and a metadata sheet. No extra charge.
Full production$3,000 + 3 pts Song built from scratch. Points negotiable and papered before we start.
Ghost production$1,500 / song Your name on it. No credit, no points, complete discretion.
Additional production$800 / song Track doctor. Your demo, made to sound like a release.
Beats$250 / song Original instrumental, built to your reference.
Portrait of Zeek in a leather jacket
Turnaround
First pass in 5 business days. Rush available.
Revisions
3 rounds included I’d rather you use them.
Points
3 on full production. Mixing and beats take none.
You send
Stems from bar 1, dry, nothing on the 2-bus, + 2 3 refs.

Booking

Book through SoundBetter.

Payment sits in escrow and is only released when the work is done. You’re protected, and so am I.

Open SoundBetter →
AB

The tool

You cannot judge
your own mix.

After an hour inside a chain you are certain it sounds better because you remember making it better. And louder always reads as better, so any comparison that isn’t level-matched is worthless.

Blind A/B removes both biases. Two versions, loudness-matched and time-aligned, and you are never told which is which. You commit to a preference. Only then does it reveal what you actually picked and keep score.

I built it because I needed it. It’s the same standard I hold a mix to, in a tool you can buy.

The mechanic try it
Two versions. No labels, no filenames, no level difference. Pick one.
Loudness match BS.1770-4, gated Matching off B is 2.4 dB louder
A
−14.2 LUFS
B
−11.8 LUFS
Louder reads as better. Left unmatched, B wins on volume aloneand the test tells you nothing. Blind A/B attenuates the louder side to meet the quieter one never boosts, so nothing can clip.
Loudness
Real BS.1770-4K-weighted, gated LUFS. A signal against its own −6 dB copy measures a 6.02 dBdelta. Matching is attenuate-onlythe quieter file is never boosted, so nothing can clip.
Alignment
Two-stage cross-correlation. Offsets of ±250, 120, 33, 500 and 0 ms all detected with 0 ms error, correlation 1.0. You always compare the same moment of both files.
True peak
4× Catmull-Rom oversampled, streaming so it can’t blow memory on long files. Warns above −1 dBTP.
Export
32-bit float, 24-bit or 16-bit always at the file’s native sample rate.
Honesty check
A hidden repeatsilently re-tests one random section to see whether you answer the same way twice. Indistinguishable from a real trial.

No visual tells. No audible click on switch. No filenames until the reveal. Which side is which is decided by a coin flip, every session. If a comparison can be gamed, it’s worthless so none of this is optional.

$29
  • Compare two mixes or masters
  • Section-by-section comping
  • Export your winning comp
  • Runs in the browser Mac & PC
Buy
In development

The plugin.A version that compares a chain against its own bypass, live in the DAW no bouncing, no routing. It’s being built now and it isn’t finished, so I’m not selling it yet.

Tell me when →

Contact

Let’s hear it.

Send the best version of the song you have, not the busiest one plus two or three references. Three records you want to stand next to tells me more in thirty seconds than a paragraph does.

Booking
SoundBetter ↗
Email
[email protected]
Instagram
@zeeksound
Blind A/B
Gumroad ↗
Based
Los Angeles